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I have been taking self-portraits as my primary form of artistic expression since 2006. The exploration of identity as a woman entering middle age has emerged as a persistent theme in my work. Akin to the stages of grief, I face the idea of aging at first with dread, then resistance, and ultimately acceptance. In my experience, these stages are non-linear.

I have been creating an ongoing series of self-portraits in abandoned buildings since 2007, exploring these concepts in depth.

I have been taking self-portraits as my primary form of artistic expression since 2006. The exploration of identity as a woman entering middle age has emerged as a persistent theme in my work. Akin to the stages of grief, I face the idea of aging at first with dread, then resistance, and ultimately acceptance. In my experience, these stages are non-linear.

 

I have been creating an ongoing series of self-portraits in abandoned buildings since 2007, exploring these concepts in depth.

- See more at: http://sarahrbloom.com/work/self-portraits#sthash.eJelokEO.dpuf

I have been taking self-portraits as my primary form of artistic expression since 2006. The exploration of identity as a woman entering middle age has emerged as a persistent theme in my work. Akin to the stages of grief, I face the idea of aging at first with dread, then resistance, and ultimately acceptance. In my experience, these stages are non-linear.

 

I have been creating an ongoing series of self-portraits in abandoned buildings since 2007, exploring these concepts in depth.

- See more at: http://sarahrbloom.com/work/self-portraits#sthash.eJelokEO.dpuf

What a Drag it is Getting Old, photograph by Sarah R. Bloom
It Feels Like a Lifetime, photograph by Sarah R. Bloom
A Measured Life, photograph by Sarah R. Bloom
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